Between 1975 and 1978, one of the more unusual transformations in the history of rock and roll music took place. Bruce Springsteen, a successful and hugely popular singer and guitarist, changed the way his music sounded.
The reasons why reveal a fascinating focal point where leftist politics, depression, Catholicism, and American fiction collide. Springsteen, who recently released a biography called Born to Run, is a liberal elitist and social justice warrior who is worshiped by the Left as a savior. How he got to be that, and how American literature and his battle with depression influenced him, are much more fascinating than a simplistic political reading of the man born in Long Branch, New Jersey in 1949.
Yesterday, GMU Law School celebrated the 25th Anniversary of the fall of the Berlin Wall—quite possibly, the only law school to commemorate the joyous occasion. The event was sponsored by the GMU Law & Economics Center and the Federalist Society. I was asked to deliver a few personal remarks. They appear below.
In a temporary obsession over the mysteries of interstate taxation (a subject of forthcoming posts—skip alert!), I missed an important event until my twelve-year-old reminded me today: on September 23, Bruce Springsteen turned 65. Happy birthday, and God bless! And do let’s celebrate. Mick Jagger famously intoned that he’d rather be dead than sing “Satisfaction” at 45; how’s that working out for you, Mr. Geezer? Mr. Ezekiel Emanuel, who’s not much into revving up young people but would rather have government force them to subsidize others, wants to be dead at 75; let’s see how that plays out. Say about the…
In a blogworld where economists noodle over cooking recipes, a tone-deaf lawyer may be forgiven for peddling the works of an artist who hardly needs any further promotion. However, Mr. Springsteen unconscionably yanked the attached song (studio version here, live version here) from his repertoire decades ago. It’s unknown even to serious fans. To my knowledge, the Boss performed it only twice, 1983 or so. Mr. Nils Lofgren, who has kept the song alive, considers it the Boss’s best ever. I’m inclined to agree.